 |
|
 |

Africa, Africas
Cameroon/Ethiopia/Burkina Faso, 2001, 62 minutes, Color, VHS/DVD, Subtitled
Order No. W02769
A rare collection from the emerging voices of African documentary filmmaking, this unique series daringly explores the social and cultural realities experienced in Africa today – including the infiltration of Western beauty standards, territorial displacement and high unemployment. FANTACOCA by Agnes Ndibi (23 minutes) presents the disturbing cultural phenomenon of skin bleaching in Cameroon and the challenge it is now posing on notions of black pride and identity. THE RIVER BETWEEN US by Maji-da Abdi (18 minutes) documents the alarming effects of war on a community of Ethiopian women and children who were forcibly relocated into refugee camps. LAAFI BALA by Fanta Regina Nacro (20 minutes) demonstrates the glaring causes of wide-spread unemployment and poverty in Burkina Faso, where few institutional resources and government support available, and the debilitating effects this is having on women and youth.
AWARDS, FESTIVALS, & SCREENINGS

- Oakland International Film Festival
- World Summit Film Festival, South Africa
- One World Film Festival, Canada
- African American Women in Cinema, NY
back to top
Africa, Africas is included in the following Special Collections.
back to top
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
|

|
 |
 |
|
Sign up to get our monthly newsletter delivered by email.

You'll get the latest info on WMM films, filmmakers, new releases and worldwide events.
Read the current issue and subscribe!
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
Native Visions: Through the Eyes of Indigenous Women
This powerful collection of native voices features two films from the
acclaimed Mohawk director Tracey Deer including CLUB NATIVE
and the coming-of-age documentary MOHAWK GIRLS. Also included is the
critical and heartbreaking tale of aboriginal femicide FINDING DAWN, as
well as the spirited and vibrant Southwestern artists’ film, THE DESERT IS
NO LADY, and the highly provocative identity piece NAVAJO TALKING PICTURE.
More details.
|
 |
 |
|
|
|